Radha Mitchell: Keeping us in suspense—as usual

22 May

There’s been a tendency in horror/suspense films to make the female protagonist the victim, the innocent bystander who waits for her heroic male co-star to save the day. Not anymore, which is just one reason why the recently released film “Sacrifice,” starring actress Radha Mitchell, is so appealing.

Radha 1

The other reason is Mitchell herself, the talented Australian actress who has been working in TV and films since her debut on “Neighbours,”an Australian soap opera, in 1985. She moved to Los Angeles in the late 1990s and made her mark as a cast member of “High Art” in 1998. Among her other films are “Pitch Black,” “Finding Neverland,” “Silent Hill,” “Surrogates,” and “The Crazies.” One of my personal favorites was her lead role in the TV series “Red Widow,” which ABC sadly cancelled after just half a season three years ago.

In “Sacrifice,” Mitchell plays surgeon Tora Hamilton, an American doctor who moves with her Scottish husband to the Shetland Islands—100 miles off the coast of Scotland—in a career-changing move prompted by her recent loss of an unborn child. What she soon discovers in a vacant field near their home is much more unsettling than her miscarriage: the body of a young woman with strange symbols carved into her flesh and her heart ripped from her body. And that’s in the film’s opening minutes. From that point, Mitchell, known for her performances in a number of suspense thrillers (she stars opposite Kevin Bacon in “The Darkness,” which opened in theatres nationwide on May 13) begins to unravel the mystery behind this woman’s death.

“I think this film is an evolution of the genre,” Mitchell said during our interview for On and Beyond from her home in Los Angeles. “We’ve not seen a lot of suspense films like this one that I think appeals to a broader female audience—really, women of all generations.”

Radha 2

What audiences will learn, much as Mitchell did when filming in Ireland, is about the legend of the Kunal Trows, characters in Scottish mythology. What her character finds leads her to believe that the corpse is a victim of a contemporary ritual based on that folklore.

“Peter Dowling wrote and directed the film, and he has an impressive resume of work, which was one thing that attracted me to this part,” Mitchell said. Another attraction was the plot, a female-centric story where a close friendship develops between Mitchell’s character and a police sergeant (actress Joanne Crawford) looking into the woman’s murder.

“It’s a very satisfying, complicated and interesting plot,” Mitchell said. “There’s a buddy aspect between these two women which attracted me. It’s a mystery like a jigsaw puzzle that keeps the audience guessing all along.”

Mitchell met with Dowling in Beverly Hills before the production started, and plans called for the shoot to be done during July. But filming actually took place during November in Dublin.

“It was cold, dark and wet, but that added to the brooding look and feel of the film,” she said.

What unfolds is a journey of discovery for Tora—finding her vulnerabilities but also her strengths.

“I was drawn to the emotional potential of Tora,” Mitchell said. “She’s a character I think many can empathize with. Often the characters you play as an actor teach you about life and help you expand your horizons. I think those are the kinds of characters we can relate to, because very few of us wake up and feel we can just take on any challenge. I love playing those types of characters.”

Mitchell joked that despite her surname, “I didn’t know much about Scottish mythology, history, or really the country itself. I didn’t know about these preserved bodies or Celtic culture. The movie gave me the opportunity to look into these ancient worlds. So I learned a lot even in the short time we were on location.”

Does she discover these continuing roles in suspense film projects, or do they find her?

“I guess you could say it’s Kismet in a way, kind of fate that these parts come to me,” she said. “I also love working with people I respect, like I did with Peter and the cast and crew of this film. It’s very much a process that we all share on set. And while I like the genre of suspense, I look for roles that reacquaint me with the craft of filmmaking, and that show respect for it. When I can find roles like those, I’m all in.”

“Sacrifice” had its premiere in New York, and is now available via Video on Demand(VOD). Mitchell is very much in demand as well. She’s readying for her next project to be filmed in southern California and around the Pacific Ocean she loves. More about that in a future interview! (Photos courtesy if IFC Films)


Lauren Ashley Carter: The ‘Darling’ of Indie Horror

24 Apr

When I first met actress Lauren Ashley Carter, it was in Park City during the 2013 Slamdance Film Festival. She was part of the cast of “Jug Face,” where her character, pregnant with her brother’s child, tries to escape from her backwoods community after learning that she is to be sacrificed to a creature that lives in a deep pit. Yeah, it was a creepy, spooky independent film—but extremely entertaining.

Lauren 1Since that time, she’s taken on the Indie Horror genre with aplomb, using her innocent-victim looks with Susan Sarandon-like eyes to cast her spell in a number of films, as well as in both New York City and regional theatre productions, and an episode of “Law and Order: SVU.” She’s the star of writer-director Mickey Keating’s recently released black-and-white thriller “Darling,” a film Entertainment Weekly had on its Top 10 “Must List” in its April 1/8 double issue.

But don’t be fooled. This Ohio native, who earned a Bachelor of Fine Arts in Dramatic Performance at the University of Cincinnati’s College-Conservatory of Music, is a multi-talented performer who is far from just a typecast victim. She’s had classical training in both vocal and piano, and can do accents in five different languages. She has her own production company, and she’s collaborated with comedian and friend Lewis Black on a web series called “The Mentors.” Life and career are going along nicely for Lauren Ashley Carter.

“I grew up watching these types of movies,” she said in an interview from her New York City apartment. “I always wanted to be involved in movies like these. The stories work themselves into our brains, and sometimes we can’t sleep. They actually make you think a lot and, at times, laugh a lot. That’s how you deal with the suspense. And working with the casts I’ve been part of has been amazing.”

Lauren Ashley Carter 2One of those cast members is veteran actress Sean Young, who starred opposite Lauren in both “Jug Face” and “Darling,” where Lauren plays a young woman looking after a New York brownstone that has a haunting past—and present. Her performance is garnering rave reviews.

She was wrapping her newest film, “Imitation Girl,” at the time of our interview. Her character is actually two in this film—that of an alien being who falls to Earth’s shores and takes the human form of a semi-successful actress hoping to change careers and become a classical pianist.

“The actress makes adult films, but she wants to take her life in a different direction,” Lauren said. “She needs to make some money, and stays in the ‘movie’ business longer than she thought she would. The alien imitation finds herself taken in by Iranian immigrants in New Mexico, and her understanding of these strange human species begins to expand. So it becomes a great contrast and a challenge for both of them—the alien imitation inside the real girl.”

Eventually, the cosmic twins meet as the film concludes, each finding how they complete the portrait of a woman.

Once filming in both New Mexico and New York ended, Lauren began the ritual of all actors living in the city—heading to auditions, looking for parts, scripting new ideas for her production company and planning ahead. For her, the future includes a desire to do more writing for the stage or screenplays. Sometimes opportunities have come her way, and sometimes they haven’t. That’s a part of the business.

“Rejection was never an issue for me,” she said. “I’ve always understood its chemistry—how certain looks mesh with actors and directors, and things you can’t control. It’s also a matter of meeting people you trust and can work with at the same time. You can have talent and passion about this business, but it’s impossible to do everything on your own. You have to surround yourself with good people. My network is great, and we keep each other sane.”

Though her star continues to rise in the horror-film scene, Lauren has other aspirations as well.

“One reason we got into this business is that we can’t stay in one place too long,” she said with a  laugh. “I would like to play a villain sometimes instead of a victim. I would love to do more comedy, something where I could get a physical comedic role. I’d love to do that.”

But her focus is “to just always be working—in film, on stage, wherever.”

That seems very likely for Lauren Ashley Carter, who will be coming to a screen or stage near you very soon.

Matt Damon: Clean water for all is his mission

6 Mar

Every day, more than 663 million people worldwide face a similar challenge—finding access to clean drinking water. Millions die every year because of it, and one Hollywood superstar is working to solve that dilemma.


“It’s totally unnecessary, something we know how to prevent and cure.” Those were the words from actor Matt Damon when he spoke to ON and BEYOND at this year’s Sundance Film Festival in Park City. In 2009, Damon and businessman Gary White cofounded a nonprofit organization called Water.org. Its goal is simple—bring clean drinking water to countries such as Ethiopia, Haiti, India and Honduras.

“A lack of clean drinking water robs so many of their futures,” White said. “When Matt and I got involved, we learned very quickly the impact of clean versus unclean water, not only on the physical health of so many but also on their lifestyles. It’s a tragedy that effects the entire family.”

Damon said the water shortages “disproportionately affect women, who often spend hours each day searching for water for the families while their husbands are working.” That’s why Water.org has partnered with beer maker Stella Artois to create the “Buy a Lady a Drink” campaign. A limited-edition collection of decorated glass chalices, sporting the Stella logo and the campaign theme, is being sold for $13. Each purchase provides a woman in one of those countries with clean water for five years.

“We’ve been reading about the problems in Flint (Michigan), and we’re outraged and rightfully so,” Damon said. “But this is an everyday reality for millions of people who are faced every day with the choice of giving their children dirty water or no water at all. We can be the generation that ends this. Americans respond to things that work as this program has done, and we need to get the word out.”DSC_1920

The “Buy a Lady a Drink” campaign is new, but Water.org’s efforts are not. In the past year, it has provided clean water for over 290,000 people. White said the organization is working with other such groups to “find the innovations that can help solve the problem, and be entrepreneurial about it.” Thus, the partnership with Stella. Stella’s Todd Allen joined with Damon and White at the Sundance event.

“It’s expensive to be poor,” Damon said, “and these people have had to pay for water, sometimes up to 25 percent of their income just to have water to drink. In many cases, there are actually water lines that run under their homes that they can’t get connected with, and we’re helping solve that. We’re working to create a level of sustainability and then a line of improvement in their lifestyles.”

Damon discussed a trip he took with White to Ethiopia several years ago where he witnessed children filling bottles with water that looked like the color of chocolate milk.

He said the parents knew the dirty water would cause illness, but it was still better than giving their kids no water at all.

“We all have a social voice,” White added. “The chalice program is a great on-ramp, but not the only one. As Matt has said, this helps get the word out, helps get the conversation about the global water crisis started. The more people we tell our story to, the more people will look for new ideas on how to solve it.”

“My wife and I have four daughters, and we began asking ourselves, ‘What will be our mark on the world we leave for them?’” he said. “If we can be part of ending the global water crisis, that would be pretty damn cool.”

Learn more about this program at http://www.buyaladyadrink.com/.



Rod Serling–As she knew him

28 Oct

It’s hard to believe that it’s been nearly 40 years since Rod Serling passed away. The intense TV writer/producer/director/star with the smoky voice and those haunting eyes that greeted viewers each week to his creation, The Twilight Zone, passed in June 1975. Though I was just a youth myself when the original show aired from 1959-1964, I vividly recall many episodes that continued to play in syndication for years to come. Like so many others, my perception of Mr. Serling was that he was dark, serious, intimidating, and very mysterious.

But then, I never knew him, until I read a book by someone who did—his daughter, Anne.

Anne Serling

Anne Serling

Her brilliant memoir of her father, “As I Knew Him: My Dad, Rod Serling,” pays a great and deserved tribute to one of Hollywood’s most amazing talents. Serling was a man who fought for his craft, for human rights, for freedom of speech, and who never was fully appreciated. Anne was only 20 at the time of her father’s death (at age 50), but decades later, she finally took to putting down on paper what was written in her heart—a true portrait of her father.

“I’d actually started writing another book, because like my dad, I find writing very cathartic,” she said, speaking to ON and BEYOND from her home in NewYork. “I couldn’t finish it, because I was stuck in the grief process. So I worked on this book for seven years. I wanted to set the record straight about who my dad was.”

Anne said that because her father was so connected to The Twilight Zone, “people thought he was a scary and dark person. That couldn’t be further from the truth. He was very warm, very friendly, and lots of people adored him. My dad could make you feel comfortable within minutes.”

Her book tells about Rod Serling’s life from the beginning, his U.S. Army service in the Philippines, meeting his future wife (and Anne’s mother) Carol at Antioch College, the birth of their two daughters, their move to Pacific Palisades in California, and his years as creator and gatekeeper for The Twilight Zone. He wrote or co-wrote 148 of the show’s 156 episodes, an enormous task over just a six-year period. As Anne wrote his story, she came to discover through notes and letters he’d written the tremendous battles he fought and challenges he faced. Through it all, Rod Serling never lost sight of who he was, what he believed, or what he strived to achieve both on camera, and off.

“I found letters he’d written to his parents while at basic training,” she said. “I may have read them years before, but as I began this book, they had a lot more meaning. Learning what these young men went through before being sent off to war—even then, my father was writing constantly. His plan when he got out of the Army was to major in Phy. Ed. But the war left him so traumatized that he changed his major to ‘Language.’”

Anne recalls visiting the MGM sound stage where The Twilight Zone was filmed. She says the first episode she remembers watching on TV with her dad starred a then-unknown actor named William Shatner in the classic Zone episode where he sees a little green man on the wing of an airliner, and eventually breaks down. Shatner was just one of dozens of actors and actresses who got their first breaks by starring for Rod Serling on The Twilight Zone.

“My father launched The Twilight Zone in part because he was tired of censors and bluelines,” she recalled. “The sponsors were always nervous, but I think Dad realized that an alien could say things that a Democrat or Republican could not. Writing the memoir showed me how hard my dad tried to write meaningful scripts that would not be torn apart to the point that his writing was unrecognizable and the meaning completely lost.”

It wasn’t lost on critics. Serling won two Emmys, a Golden Globe and three Hugo Awards for the program. And the family tradition of winning continued this year when Anne won the Killer Nashville Silver Falchion Award for Best Memoir for “As I Knew Him.”

“People have been so kind to me about the book, and about my father,” she said. “Many have said the book touched them and helped them. My mother was very pleased and happy with it, and we’ve been all over the country to speak to groups about my father’s work and achievements. I’ve felt very blessed with the reception and reviews I’ve received.”

But to get there meant having to relive those final days with her dad, when he was in a New York hospital fighting for his life after suffering a heart attack, and then another after surgery. Anne recalls that afternoon when her father’s medical team of two doctors and a nurse meet with the family in the waiting room, one doctor finally saying, “We are so sorry. He’s gone.”

“Gone? Gone where?” she writes. “That’s the thing about euphemisms. They never really speak the truth. They leave all sorts of questions and dangling expectations. ‘Gone’ would imply he’ll return, or he’s just momentarily slipped away. Gone would not necessarily mean’ never coming back’.”

“As I Knew Him: My Dad, Rod Serling” is moving and beautifully written. Anne said writing it and recalling all the moments with her father helped her as a mother.

“My father had a quick and furious temper. He could storm out of a room, furious, only to return moments later asking, ‘Have you seen my twin brother anywhere?’” she said. “I loved him so very dearly.”

I’ve had the pleasure of Anne’s friendship for some time, and when she was notified about the Nashville award, she said, “I only wish Dad could be here to see it and be part of it.” As I along with so many others have told her, he has been…continuing to inspire Anne and her family who’ve shared Rod Serling. As they knew him.

–Tom Haraldsen

Rachael Yamagata: Touring and connecting again

19 Oct

Ten years ago, singer/songwriter Rachael Yamagata released her first album as a solo artist, “Happenstance.” What followed has been an ever-growing fan base, a blossoming career, and new musical accomplishments for the native of Arlington, Va. Now, she’s launched a 10th anniversary tour celebrating “Happenstance,” and it’s a two-tier experience.

She’s in the middle of a seven-week traverse across the country, visiting some of the venues where her solo career took flight. And she’s using the tour to promote Pledge Music, a forum for independent artists and their new projects. In her case, it means fan support for a new album she’s in the midst of putting together.
Rachael Yamagata
“It’s hard to believe it’s been 10 years,” she said during a telephone interview for On and Beyond from her home on the East Coast. “Time really does exist on another planet for me—my reality is sort of a different rhythm. I wasn’t even aware of it until someone said, ‘Are you going to do a 10-year anniversary of your record? It hit me out of the blue.”

To celebrate, Yamagata and her band have two different types of musical sets planned. At some concert locations, she’ll literally perform every song off that first album.

“The first record is such a milestone, based off so many years of life and experiences and emotions. It’s sort of a memory lane for me, because I’ve never played that particular record all the way through,” she said. “It’s a fun tribute, and kind of a unique experience, doing the record front to back with a new band.”

At other sites, she’ll mix both the old favorites with new songs from an album she’s working on now.

“So it’s been ambitious—almost like preparing for two different tours,” she said. “I want to make the shows as different as possible. It’s fun, but also terrifying.”

She became the vocalist for the Chicago-based group Bumpus in the late ‘90s, touring and writing for them for six years. In 2002, she got a two-record deal with Arista’s Private Music, released a self-titled EP and then “Happenstance.” Two years later, she toured with Mandy Moore and contributed to Moore’s “Wild Hope” album.

Rachael’s music has been featured on many TV shows as well, starting when she performed her song “Elephants” on daytime drama “One Life to Live” in 2009. Her songs have also been heard on “The L Word,” “Charmed,” “How I Met Your Mother,” “ER,” “Alias,” “Brothers & Sisters” and “Grey’s Anatomy,” among others.
Rachael again

Like most artists, however, what she loves most is playing in front of audiences, and having direct contact with fans.
“It’s great to be with fans who are invested and engaged,” she said.

She’s very passionate about Pledge Music (you can read more on her website at rachaelyamagata.com).

“This is a platform for independent artists to have direct contact with their fans,” she said. “It’s a mutual exchange of the artists wanting to make a recording and tour, and fans who want to invest in that, fans you believe in you.”

The way it works is fans buy into an artist’s project up front, then get a behind-the-scenes vision of the process of making music and preparing for a tour. It’s similar to Kickstarter, but much more artist-focused.

“They get footage of things they normally wouldn’t have a chance to see, as well as VIP passes, special signed items, etc.,” she said. This is the second campaign of her, and with more than 100 days remaining, she’s already achieved nearly 90 percent of her pledge goal.

“It gives me a good read on who’s listening and who’s interested in what I’m doing. It’s fun, nice, and empowering to give the fans a chance to be invested in the artists.” She’s also offering 5 percent of the money pledged to Music Heals, a charity dedicated to healing through music.

–Tom Haraldsen

Colbie Caillat’s ‘Gypsy Heart’ will clearly touch yours

1 Sep

When Grammy Award-winning singer/songwriter Colbie Caillat found out I was a fellow Gemini, our interview instantly seemed more like a conversation between long-time friends. It’s not common to have that feeling when you talk to a 29-year-old musical superstar who’s sold over 6 million albums, 10 million singles and played before sellout audiences around the world. But she makes it feel very natural, and she is much more comfortable being called Colbie than Ms. Caillat.

Like most of us Geminis, change for her is welcome, something she still aspires to even as her fourth album, “Gypsy Heart,” begins presale tomorrow (September 2) prior to its release on September 30.
Colbie Caillat_Gypsy Heart_Cover“You understand exactly what I felt when I was doing this new album,” she said in a telephone interview from her home in Southern California. And I did. When “Gypsy Heart” is released, millions of fans will find that Colbie has blended the best of several worlds into her fourth album. It’s been a work in progress for months.

“It’s been a long time coming,” she told me. “I named it ‘Gypsy Heart’ because I really didn’t want to name it ‘Gemini,’ though I could have. I’ve gone back and forth almost every day as we wrote and recorded these songs. Every writing session, I thought that the genre could be different—from synchronized pop songs to some with a darker tone, and I wanted to just keep writing all fall and winter.” What Colbie concluded was that “I didn’t have to be in just one category, to write for just one genre. So I basically divided up songs for this album among genres.”

She began a nationwide tour in late August to promote “Gypsy Heart.” An EP, “Gypsy Heart Side A,” was released earlier this year. Already, the most recognizable song is “Try,” a collaboration with musical genius/ producer Kenneth “Babyface” Edmonds that makes a powerful statement about female body image. Its lyrics came from something Edmonds said to her while they were working on the new album.

“While we were writing, Kenny told me, ‘Stay true to yourself. Don’t’ let them change you. You don’t have to try’,” she recalled in discussing the song in a release. “It was such a liberating way to start the session, and we kept rolling with that message. It explains literally every step a woman takes to get herself ready to go out in public and how exhausting it is. There’s so much we have to do in order to make ourselves ‘beautiful,’ so we feel accepted in the public eye.”

Many people submitted “treatments” for the video, but Colbie said “they had no depth or emotion.” Instead, she created a video where she is joined by several women who, like Colbie herself, are shown transforming themselves in reverse, removing layers of cosmetics, wigs and extensions and ending by showing their natural beauty.
variety“It showed the process that many of us go through—sometimes 2 to 3 hours to get ready,” she said. “I have long, thick hair, but I still use extensions, as you can see in the video when they’re removed. It was fun to show up on the set with no makeup and no extensions, and then adding them. The video is the process shown in reverse. Again, very liberating.”

The video for “Try,” with nearly 22 million views on YouTube, has become an anthem for women everywhere. Like the release of “Gypsy Heart,” Colbie is also excited about the new tour.

“This is like something we’ve never done before,” she said. “New sets, new lighting, new props, and amazing sound system, and huge TV screens and videos for the audiences. We’re very excited to be back out on the road, visiting some of our favorite cities and some new ones.”

And there’s another aspect to Colbie’s career that I wanted to discuss—how she has reached the heights on her own talents, even though she certainly could have used the “in” of her father, famed music producer Ken Caillat.

“I kind of grew up with Mick Fleetwood in our home,” she said with a smile. “I call him Uncle Mick. But when I was preparing to record my first album, I had such a hard time saying no when he offered to play drums. I wanted any success that might come my way to be the result of my hard work or talents. It’s proven to be the right way to go.”

Colbie has turned her stardom and fame into working for great causes as well. She is a spokesperson and supporter for the Humane Society of the United States, the ASPCA, Farm Sanctuary, the Surfrider Foundation (which fights for protection of beaches and the world’s oceans) and Save the Music (promoting music education in schools).

“I just want to write songs that stay with people,” she said in her album press release. “If fans can listen to my music in repeat, and play my songs during memorable moments in their lives, that’s amazing. I want that more than anything.”

It’s easy to see why Colbie Caillat is so successful and likeable. So easy, you don’t even have to “try.”

–By Tom Haraldsen

Rhonda Vincent’s latest: A great Bluegrass/Country Mix

2 Jul

There’s been an argument in the world of music for decades about “crossovers,” where an artist of one genre records songs that fit in another. But as five-time Grammy Award winner Rhonda Vincent says, “it’s all in the perception of the listener.”

Vincent’s release this spring shows that whether her legions of fans consider her a bluegrass artist or a country artist, she’s in fact both. That’s what’s made her latest album, “Only Me,” a number one seller. Releasing a 2-disc set isn’t unusual in today’s music business, but in this case, each disc has a separate genre—country on one, bluegrass on the other.
Rhonda Vincent 1

“I sang at a country family reunion where I got to do country music as well as some bluegrass, and everyone realized that there doesn’t need to be a separation between the two. As a songwriter or performer, you can do and enjoy both,” Vincent said in an interview for On and Beyond from her home in Missouri. That’s the case with “Only Me,” where she teams up with musical legends Daryle Singletary and Willie Nelson for tracks on her bluegrass disc, then steps into the country realm on the second disc. On every track, Vincent shows she’s comfortable in both arenas.

“This is the way I’ve always performed,” she said. “For a long time, I was so confused by this—whether I should sing bluegrass or country—because my voice has always been the same and I’ve had people tell me I was one or the other. George Jones defined that for me after I ended up putting together my first bluegrass band and we opened for him at the (Grand Old) Opry. He’s the one who said ‘it’s all in the perception of the listener.’ He told me to sing what I wanted to sing. On the day he died, I played at the Opry and picked ‘When the Grass Grows Over Me,’ which I later recorded for this album. That’s when I realized I could do a project that includes both kinds of songs.”
Rhonda Vincent 2

Vincent has been performing since the age of 5—her family all performed together. In 2000, the Wall Street Journal proclaimed her “The Queen of Bluegrass,” and she won consecutive Female Vocalist of the Year awards from the International Bluegrass Music Association for seven years.
She wrote a song called “Teardrops Over You” when she was 16, but never recorded it until she stepped into the studio for “Only Me.”

“My daughters had recorded it when they were in college,” she recalled. “I don’t know why I’d never done it before. That song was written with George Jones in mind, so I guess it was meant to be.”

She’d only met Nelson once before, when they performed at the Ryman Auditorium in Nashville in 2009.

“I always saw him at the state fair, but he was kind of like Dolly Parton—someone I thought I’d never get to perform with, and I wasn’t sure if he’d agree to work with me on the album. It seemed like a natural fit for the country side, but I wanted to do something unique with him, and we did the title song together for the bluegrass side. It just fit so well, and he is such a sweet man. He told me, ‘Let’s do this again’.”

“The bluegrass pickers on this song are some of the best that I have ever heard,” Nelson said. “Rhonda’s voice is beautiful. I am thankful for her letting me be a part of it all.”

Vincent loves her fans, goes out of her way for meet-and-greets after concerts (she once signed autographs for FOUR hours after a performance), and is active on Facebook (“I’m RhondaVincentOfficial”) and Twitter (@RhondaVincent13). She’s on the road constantly, touring 11 months out of the year, and over July and August this year, has concerts planned in Missouri, Virginia, Pennsylvania, on an Alaskan cruise, Kentucky, Tennessee, North Carolina, Ohio, Michigan and Maine. Her website, rhondavincent.com, has all the details.

“I love what I do, and I love hearing from everyone who follows us,” she said.

–Tom Haraldsen